The exhibition entitled “Form and Color” represented the initial phase of the doctoral research, introducing the relationship between volumetrics and the science of colors, known as chromatology. The colored objects exhibited were the outcome of research conducted within the National University of Arts (UNArte), opening new horizons in the field of visual arts, particularly in the realm of colored objects.

The works completed over the past three years have explored the relationship between colors and forms by applying a chromatic film to their surfaces. This layer of color was applied according to principles studied throughout the doctoral program.

An illustration of this is the work titled “The Blue Wing,” which examines the relationship between the cool color, blue, and the rhythm of prismatic forms.

Similarly, the work “The Tree of Life” explores the vertical succession of shapes: prism, pyramid, ovoid, prism, and pyramid once more. These fundamental shapes were colored in accordance with the principle of matching warm colors with corresponding forms.

“The Serial Ensemble Infants,” although initially created many years ago, was revisited from a new perspective. Six objects were integrated into a single colored installation, once again emphasizing the relationship between ovoid shapes, colored in warm tones, and the horizontal plane of a colored glass.

“The Phoenix Bird Sculpture” is a semi-kinetic work, colored in accordance with the aforementioned principles.

“Sacrifice” represents an installation that utilizes volume as an essential element in the depiction of the human figure. This work highlights the manner in which essential volumes intersect, combine, and generate figurative compositions.

“Portraits” explore the relationship between essential volumes and the color of the material (stone, marble) in the process of shaping the form.