Exhibitions

As part of her personal exhibition, Confession, open from the 3rd of August to the 1st of September 2022 at the ETAJ artist-run space gallery, Ioana Aron presents installations that include scenographic elements, photo collage, video art, monoprint and painting.

Mihaela Moțăianu’s virtual exhibition was presented Wednesday, 29th June 2022, on the main page of the Romanian Cultural Institute website and the social networks pages of ICR Lisbon. The series of digital collages create a unique experience in the virtual space.

The National University of Arts Bucharest – Doctoral Studies, organised at UNAgaleria, from 27th June to 30th July 2022, is the end-of-year exhibition with the research works of doctoral students.

During 6-15.06.2022, the PhD students Maria Panțur, Ștefania Meșteriuc and Aurel Pătrăucean have exhibited a part of their doctoral research projects at the Galeria 15 Design.

Visual artist Vlad-Dan Perianu participates with an installation entitled “Sacrifice” at the National Village Museum Dimitrie Gusti in the annual event organized by the Association of Religious Fine Arts and Restoration.

HISTORICAL RECONSTRUCTIONS IN MINIATURE the personal exhibition of the scenographer Andrei Mențeanu opened between April 13th – May 13th 2022, at the Museum of History of Romania, Bucharest.

The Icehouse Gallery at the Culture Center Brâncoveneşti Palaces at the Gates of Bucharest hosted the exhibition Experiment. Techne. Imagination. the first personal Exhibition of Maria Panțur and curated by Ioana Stelea.

The work entitled “Flag for environment” (Drapel pentru Mediu) by Ileana Ștefănescu was exhibited at the National Salon of Contemporary Art 2021 edition. The work is part of a series of picto-object / environment works, part of personal doctoral research.

In the period 8-17 October 2021, it took place the exhibition ‘Upfold’ of the designer Alexe Popescu, within the 2021 Diploma Festival.

Vlad-Dan Perianu participated in a group exhibition organised by the Association of the Religious Fine Arts Branch, with three works that studied the volume-colour-kineticism relationship. The Phoenix Bird also integrates a mechanomorphic component, which helps develop the sculpture’s kineticism.